Participation

Known for its exciting atmosphere and its high level of quality, the Contest for Vocal Ensembles features vocal ensembles from Finland and abroad. The total prize pool is EUR 10,000. The jury will also award the Grand Prix trophy to the best ensemble in the Contest.

Contest for Vocal Ensembles in 2025:

Rules and participation 2025

  • The Contest for Vocal Ensembles will be held by the City of Tampere on 11–12 June 2025.

  • All accompanied and a cappella vocal ensembles with 3 to 8 singers, both professional and non-professional, are invited to participate in the Contest. Ensembles should perform one singer per part and must perform without a conductor. The accompanying group, if any, must not have more than five (5) members.

  • The Contest is divided into two rounds: the qualifying round based on recordings submitted by the ensembles and the final round held at the Tampere Vocal Music Festival. The Contest is divided into two categories: 1) ensembles performing acoustically; and 2) ensembles performing with electronic amplification. The organiser of the Contest will decide on the number of ensembles accepted for the final round in each category.

  • To enter the qualifying round, fill in the online entry form that will be available on the Tampere Vocal Music Festival website tamperevocal.fi from 7 to 31 January 2025. The recordings submitted for the qualifying round must be attached to the entry form as audio files. Entrants are free to choose their repertoire but must submit exactly three (3) pieces of music, at least one of which must be performed a cappella. Contest entries must be received no later than 31 January 2025. Entries received after the deadline will be disqualified.

    The following must be attached to the online entry form:

    • Recordings for the qualifying round in three (3) audio files (one piece per file), format: MP3 or WAV, maximum size of each file 5 MB
    • CV or presentation of the ensemble
    • Photo of the ensemble (resolution minimum 300 dpi, a horizontal photo: image width minimum 2000 px) and name of the photographer. The organiser shall have the right to use the photo submitted with the entry form in the printed matter and marketing materials of the Festival and on the Festival website.
  • All ensembles participating in the qualifying round will be informed of which ensembles have been accepted for the final round by 21 February 2025. The ensembles accepted do not have to perform the same programme in the final round as in the qualifying round. However, the programme for the final round must also include at least one piece performed a cappella. The programme must be no longer than 15 minutes from entrance to exit. The jury will pay special attention to the overall programme of each ensemble.

    The concert hall will have a grand piano available, but any other accompanying instruments will have to be brought by the ensembles themselves. Background recordings must not be used in the final round. In the electronically amplified ensemble category, effect devices and loopers may be used, but only sounds produced by the singers live on stage may be processed. Pre-recorded samples are prohibited. Ensembles may bring their own technical equipment to the competition, and they may use their own sound engineer, but all instructions given by the organiser’s technical personnel must be complied with.

    The ensembles accepted for the final round must submit the following material to the Tampere Vocal Music Festival office by 21 March 2025 as instructed separately:

    • Programme for the final round in the order of performance: title, composer, lyricist, arranger
    • Scores of the repertoire (5 copies of each piece)
      Only legal sheet music may be used for the Contest – either published scores or copies of unpublished scores authorised by the composer and/or arranger.
      If a piece forms part of a larger piece or published collection, authorised copies may be submitted.
      The organiser reserves the right to inspect an ensemble’s sheet music during the event.
      Scores sent will only be returned to the ensemble if requested during the Festival. Unclaimed scores will not be returned by mail after the Festival.
    • If the ensemble has learned a song by ear or if for any other reason there is no written score, include a brief explanation of this in English on one A4 sheet (5 copies)
    • Brief summary in English of any songs whose lyrics are not in English (5 copies of each)
  • The concluding concert of the Contest for Vocal Ensembles will be held on 12 June 2025 at 18:00. The jury will select the ensembles and pieces for this concert from among the final round performances. The jury is entitled to take performances at the concluding concert into account when deciding on how to distribute the prizes.

  • The participation fee for ensembles accepted for the final round will be EUR 200, to be paid as instructed separately. In case of cancellation, if notification is received by the Tampere Vocal Music Festival office after the due date for the participation fee, the fee will not be refunded. The participation fee includes a workshop led by the jury on 12 June 2025 from 10:00 to 13:00.

  • A total of EUR 10,000 will be given out as prizes and awards in the final round. Each ensemble will receive a diploma and a written assessment from the jury by mail after the festival.

  • The Contest will have an international five-member jury chaired by Jussi Chydenius (FI). Other members of the jury: Kim Nazarian (US), Susanna Lukkarinen (FI), Morten Vinther Sørensen (DK), John Potter (GB).

    • By submitting an entry form, ensembles undertake to comply with and respect copyright.
    • Participating ensembles are responsible for all their costs (including but not limited to travel, accommodation and meals).
    • The organiser reserves the right to all radio and television broadcasts, audio and video recordings and photographing of all performances and the right to publish images, recordings and live streamed video online, in social media and in the Festival’s marketing materials, all without reimbursement to the participants.
    • The official languages of the Contest are Finnish and English.

Concert tickets for Participants

Groups participating in the Contests for Vocal Ensembles may purchase tickets at discounted rates.

Accommodation: Special prices for festival-goers

Accommodation
Kalle Kaihar Cultural Heritage Foundation

Supporting the Contest for Vocal Ensembles

The main partner of the Contest for Vocal Ensembles in 2025 is Kalle Kaihari Cultural Foundation.

Kalle Kaihari Cultural Foundation website (FI)

Jury 2025

The Contest will have an international five-member jury chaired by Jussi Chydenius (FI). Other members of the jury: Susanna Lukkarinen (FI), Kim Nazarian (US), John Potter (GB), Morten Vinther Sørensen (DK).

Jussi Chydenius.

Jussi Chydenius

Jussi Chydenius is a highly versatile musician: a bass singer, drummer and composer. He began his musical career as the drummer of Don Huonot, one of Finland’s most popular rock groups in the 1990s, and remained with the group until 2001. He is a founding member of the Rajaton vocal ensemble, which was established in 1997 and won the Contest for Vocal Ensembles in Tampere in 1999. Besides composing for Rajaton, Chydenius has written music for choirs in Finland and abroad. He has been a member of the jury of the Contest for Vocal Ensembles since 2003.

Susanna Lukkarinen.

Susanna Lukkarinen

Susanna Lukkarinen is a singer, pianist, and voice teacher. She has been prominent on the Finnish musical scene for quite some time as an ensemble member and solo artist. She is a founding member of the popular vocal ensemble Club For Five and sang with the group from 2000 to 2021. She has contributed to the albums and concert tours of numerous other Finnish artists, besides appearing as a musician on TV shows and in theatre productions. In addition to her creative work, she teaches voice at the Sibelius Academy and is also a yoga instructor.

Kim Nazarian photo by Ellen Schmauss.

Kim Nazarian

Kim Nazarian is a world renowned, Grammy nominated jazz performing and recording artist, educator and clinician. Besides her work as a sought-after solo vocalist, she has been performing all over the world with the vocal group “New York Voices“ (NYV) for more than 35 years. She is a jazz voice teacher for Vocal Jazz Majors at Ithaca College and she shares her perspectives on music and life as a musician through teaching private students in clinics, workshops, jazz camps and masterclasses, as well as through festival adjudication and guest conducting for singers on all levels in the US and abroad.

Photo: Ellen Schmauss

John Potter.

John Potter

John Potter is an ECM artist and writer. He is a former member of the Hilliard Ensemble and was a major contributor to the Officium project with saxophonist Jan Garbarek. He has a discography of some 150 titles ranging from Arvo Paert and Veljo Tormis to John Paul Jones and Sting. His books include A History of Singing (Cambridge University Press) and Song: a History in 12 Parts (Yale University Press) and he is editor of The Cambridge Companion to Singing. His current ensemble is the Alternative History Quartet with soprano Anna Maria Friman and lutenists Ariel Abramovich and Jacob Heringman. John chaired the Tampere ensemble jury for many years and is Reader Emeritus in Music at the University of York, UK.

Morten Vinther Sørensen.

Morten Vinther Sørensen

Morten is a Danish conductor, singer, producer, and composer with a master’s degree from The Royal Academy of Music in Aalborg (DK). In 2010 he joined the Swedish vocal group The Real Group and spent almost a decade touring and working globally with the group. Prior to this, Morten was active in various choirs and ensembles in Denmark and the experiences with both vocal groups and larger ensemble give him a broad perspective on vocal music – pedagogically and artistically. Since 2020 Morten is based in Germany, from where he has been working with Syng Selected, Åkervinda, POSTYR, Latvian Voices, Bonner Jazzchor, Twäng and Songs of The Moment among others.